Abstract
Jews in French films in the late 1930s, Rémy Pithon. An analysis of French movies producted in the late 1930s reveals a curious paradox : a change from rather widespread anti-semitism to a kind of « repression » of the image of the Jew. Examining anti-semitic stereotypes, the author shows that their relative decline corresponds to the just image of a « vague Jewishness », just as horrible, for it opens the door to indifference.Date
1988Type
ArticleIdentifier
oai:persee:article/xxs_0294-1759_1988_num_18_1_2918http://www.persee.fr/doc/xxs_0294-1759_1988_num_18_1_2918
doi:10.3406/xxs.1988.2918
DOI
10.3406/xxs.1988.2918ae974a485f413a2113503eed53cd6c53
10.3406/xxs.1988.2918