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Submission and Agency, or the Role of the Reader in the First Editions of Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking-Glass (1871)

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Author(s)
Iché, Virginie
Keywords
Carroll (Lewis)
Alice
théorie des effets esthétiques
premières éditions
soumission
agentivité
Carroll (Lewis)
Alice books
reader-response criticism
first editions
submission
agency
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URI
http://hdl.handle.net/20.500.12424/1191805
Online Access
http://cve.revues.org/2962
Abstract
Cet article analyse le rôle du lecteur des premières éditions des Aventures d’Alice au pays des merveilles et De l’autre côté du miroir de Lewis Carroll. L’étude de la mise en page des éditions originales révèle que, bien qu’elles exigent parfois du lecteur une soumission complète à ses stratégies, elles mettent également fréquemment en valeur son rôle-clé. Le rôle du lecteur des éditions originales des Alice est donc caractérisé par une tension entre deux positions contradictoires, soumission et agentivité, ce qui pourrait s’expliquer par l’évolution au xixe siècle de la littérature de jeunesse, qui s’éloigne progressivement du didactisme des premiers livres pour enfants.
This article analyzes the role of the reader of the first editions of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass. Exploring the layout of the original editions shows that, though they sometimes require the reader’s submission to their ploys, they also not infrequently empower her. The reader of the original Alice books is caught up, then, between two contradictory positions: submission and agency. This tension could be explained by the nineteenth-century shift from the early didacticism of children’s books to the modern genre of children’s literature.
Date
2017-02-01
Type
info:eu-repo/semantics/article
Identifier
oai:revues.org:cve/2962
urn:doi:10.4000/cve.2962
http://cve.revues.org/2962
Copyright/License
info:eu-repo/semantics/openAccess
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