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Surface, singularité et devenir-ensemble 

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Author(s)
Lussier, Martin
Keywords
appartenance
catégorisation
ethnographie
hétérogénéité
musique populaire
belonging
categorization
ethnography
heterogeneity
popular music
categorización
etnografía
heterogeniedad
música popular
pertenencia
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URI
http://hdl.handle.net/20.500.12424/1225707
Online Access
http://communication.revues.org/767
Abstract
Le 28 août 2003 avait lieu le lancement d’un nouveau festival à Rouyn-Noranda au Québec : le Festival de musique émergente en Abitibi-Témiscamingue (FMEAT). Ce fut l’occasion d’organiser des concerts de tous ordres où des artistes aux sonorités disparates, aux statuts différents, à la reconnaissance très inégale et inscrits dans des réseaux divergents, ont partagé les feux de la rampe : Richard Desjardins (chanson) côtoie Le Nombre (rock) et Sans Pression (hip hop). Le succès commercial et d’...
Date
2009-09-24
Type
info:eu-repo/semantics/article
Identifier
oai:revues.org:communication/767
urn:doi:10.4000/communication.767
http://communication.revues.org/767
Copyright/License
info:eu-repo/semantics/openAccess
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