The labor of action for the operation of truth: the phenomenology and dramatic Platonism of Meisner technique as refined and extended by William Esper
Author(s)Marcia, Theodore David
Contributor(s)Crespy, David Allison
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AbstractTitle from PDF of title page (University of Missouri--Columbia, viewed on March 1, 2013).
The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file.
Dissertation advisor: Dr. David A. Crespy
Includes bibliographical references.
Ph. D. University of Missouri--Columbia 2012.
Dissertations, Academic -- University of Missouri--Columbia -- Theatre
"December 20 2012"
This dissertation deals with the application of philosophical thought and methods to school of actor training known as Meisner technique. The initial goal is to illuminate and improve the theory, practice, and pedagogy of Meisner technique through rigorous analysis and critique based in established scholarly thought. My second purpose is to use this same philosophical lens to examine the far broader question of mimesis, specifically the nature of the relationship between the created object and the world that inspired it. My interest in this is primarily political in nature. Simply put, if the mimetic object is sourced from the hegemonic world, how can it ultimately do anything other than continually justify that world's authority, and so how may the object ultimately do anything other than collude with power? It is my contention that theatre is uniquely, perhaps even singularly well suited to address the mimetic, in unique (or non-mimetic) ways.