HIV-positive African-American women's perspectives on engaging communities in the response to HIV/AIDS in Washington, DC
Online Access
http://discovery.ucl.ac.uk/1488368/Date
2015-10-03Type
ArticleIdentifier
oai:eprints.ucl.ac.uk.OAI2:1488368http://discovery.ucl.ac.uk/1488368/
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La puesta en escena de la autenticidad. <i>Andalucía, un siglo de fascinación</i>, de Basilio Martín Patino, y el “materialismo histórico” en Walter BenjaminCornago Bernal, Óscar (Consejo Superior de Investigaciones Científicas - Consejo Superior de Investigaciones Científicas, 2011-04-01)This article explores the theatrical estrategies that documentary genre develops to create an effect of reality. For this aim it will be analyzed the Basilio Martín Patino’s production for television Andalucía, a century of fascination, a serie of five documentaries filmed from 1992 to 1996 for the public channel Canal Sur Television. These films will be compared to previous work of Martin Patino and to other critics and directors’ points of view regarding documentary genre and simulation of objetivity in visual media. As methodology it will be discus the concept of “materialist history” in Walter Benjamin.<br><br>Este artículo explora las estrategias teatrales desarrolladas por el género documental para crear un efecto de realidad. Con este objetivo se analizará la producción para televisión de Basilio Martín Patino <i>Andalucía, un siglo de fascinación</i>, una serie de cinco documentales filmados entre 1992 y 1996 para la cadena pública Canal Sur Televisión. Estas películas serán comparadas con trabajos anteriores de Martín Patino y con el punto de vista de críticos y directores en relación a las prácticas documentales y la creación de un efecto de objetividad en los medios audiovisuales. Como metodología se aplicará el concepto de “historia material” desarrollado por Walter Benjamin.