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dc.contributor.authorWalter Zidaric
dc.date.accessioned2019-10-26T02:29:38Z
dc.date.available2019-10-26T02:29:38Z
dc.date.created2017-09-29 23:03
dc.date.issued2009-11-01
dc.identifieroai:doaj.org/article:cdded4f1d0a4414983ecc678c4d23b5d
dc.identifier10.4000/lisa.2971
dc.identifier1762-6153
dc.identifierhttps://doaj.org/article/cdded4f1d0a4414983ecc678c4d23b5d
dc.identifier.urihttp://hdl.handle.net/20.500.12424/1535443
dc.description.abstractComposer, librettist and stage director Gian Carlo Menotti has changed the American musical theatre by accepting to face burning questions related to his times, but which are at the same time universal. In The Consul (1950), the American context of the 1950s burst onto the operatic stage. The Mc Carron law and MacCarthysm are reflected in this opera which is, first of all, a metaphor of the negation of liberty. In The Saint ofBleecker Street (1954), the Little Italy microcosm suggests a new reflection about questions which are related to the concept of difference and integration, connected to considerations of a metaphysical and religious nature. As metaphors of American society, these two operas finally symbolise all kinds of human multicultural societies by revealing the polysemic character of Menotti’s works.
dc.languageEN
dc.languageFR
dc.publisherMaison de la Recherche en Sciences Humaines
dc.relation.ispartofhttp://lisa.revues.org/2971
dc.relation.ispartofhttps://doaj.org/toc/1762-6153
dc.sourceRevue LISA , Iss Vol. II - n°3, Pp 188-200 (2009)
dc.subjectXXe siècle
dc.subject20th century
dc.subjectsociété
dc.subjectÉtats-Unis
dc.subjectlittérature
dc.subjectsociety
dc.subjectUnited States
dc.subjectliterature
dc.subjecthistoire
dc.subjecthistory
dc.subjectopéra
dc.subjectmusique
dc.subjectmusic
dc.subjectPhilosophy (General)
dc.subjectB1-5802
dc.subjectPhilosophy. Psychology. Religion
dc.subjectB
dc.subjectDOAJ:Philosophy
dc.subjectDOAJ:Philosophy and Religion
dc.subjectSociology (General)
dc.subjectHM401-1281
dc.subjectSocial Sciences
dc.subjectH
dc.subjectDOAJ:Sociology
dc.subjectDOAJ:Social Sciences
dc.titleImmigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti Immigration, Difference and Integration in Gian Carlo Menotti’s The Consul and The Saint of Bleecker Street
dc.typeArticle
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