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dc.contributor.authorArlenice Almeida da Silva
dc.date.accessioned2019-10-26T02:30:13Z
dc.date.available2019-10-26T02:30:13Z
dc.date.created2017-09-29 23:03
dc.date.issued2006-01-01
dc.identifieroai:doaj.org/article:fa989a1fb1f6426c836a97c1b82ee44e
dc.identifier10.1590/S0101-31732006000100006
dc.identifier0101-3173
dc.identifier1980-539X
dc.identifierhttps://doaj.org/article/fa989a1fb1f6426c836a97c1b82ee44e
dc.identifier.urihttp://hdl.handle.net/20.500.12424/1535676
dc.description.abstractO presente artigo investiga como A teoria do romance (1916) de G. Lukács, um texto fragmentado e de ocasião, tornou-se um clássico da reflexão sobre a modernidade. Para Lukács, o romance é a forma artística que corresponde à fratura entre o sujeito e o mundo, vivida pelo homem contemporâneo. Utilizando o conceito de "símbolo esvaziado" este texto apreende em que medida o autor ao rever as classificações anteriores sobre o gênero romance, perpetua a tradição romântica ou rompe com ela, elaborando conceitos originais para a compreensão da modernidade na literatura.<br>The present article investigates how G. Lukács's Theory of the romance (1916), a fragmented and of occasion text, became a classic of the reflection on modernity. For Lukács, the novel is the correspondent artistic form to the fracture between the subject and the world, lived by the contemporary man. Using the concept of "emptied symbol" this text apprehends how far the author, when reviewing the previous classifications on the genre of novel, perpetuates the romantic tradition or breaks it, elaborating original concepts for the understanding of modernity in literature.
dc.languageEN
dc.languagePT
dc.publisherUniversidade Estadual Paulista
dc.relation.ispartofhttp://www.scielo.br/scielo.php?script=sci_arttext&pid=S0101-31732006000100006
dc.relation.ispartofhttps://doaj.org/toc/0101-3173
dc.relation.ispartofhttps://doaj.org/toc/1980-539X
dc.sourceTrans/Form/Ação, Vol 29, Iss 1, Pp 79-94 (2006)
dc.subjectLukács
dc.subjectromance
dc.subjectmodernidade
dc.subjectromantismo
dc.subjectsimbolização
dc.subjectLukács
dc.subjectnovel
dc.subjectmodernity
dc.subjectromantism
dc.subjectsimbolisation
dc.subjectPhilosophy (General)
dc.subjectB1-5802
dc.subjectPhilosophy. Psychology. Religion
dc.subjectB
dc.subjectDOAJ:Philosophy
dc.subjectDOAJ:Philosophy and Religion
dc.titleO símbolo esvaziado: a teoria do romance do jovem György Lukács The emptied symbol: young György Lukács's Theory of the Romance
dc.typeArticle
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ge.identifier.permalinkhttps://www.globethics.net/gel/11677668
ge.lastmodificationdate2017-09-29 23:03
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ge.oai.setnameLCC:Philosophy. Psychology. Religion
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ge.linkhttps://doaj.org/article/fa989a1fb1f6426c836a97c1b82ee44e


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