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"Não congelarás a imagem", ou: como não desentender o debate ciência-religião

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Author(s)
Bruno Latour
Keywords
Religião
Ciência
Discurso
Imagem
Crença
Conhecimento
Religion
Science
Discourse
Image
Belief
Knowledge
Anthropology
GN1-890
Geography. Anthropology. Recreation
G
DOAJ:Anthropology
DOAJ:Social Sciences
Ethnology. Social and cultural anthropology
GN301-674
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URI
http://hdl.handle.net/20.500.12424/1585375
Online Access
https://doaj.org/article/b208cfb70c864f5984a57ea143c494f0
Abstract
Este artigo examina as condições de felicidade (estendendo-se o sentido que tem este conceito na teorias dos atos de fala) da enunciação religiosa. Por analogia com a fala de amor, a fala religiosa é aqui vista como um discurso transformativo antes que informativo, isto é, um discurso que fala-faz (de) quem fala antes que do mundo, mas que, ao fazê-lo/ falá-lo, muda o mundo em que se fala tanto quanto aqueles que nele falam. Comparam-se em seguida as condições de verdade do discurso da ciência, fundadas no estabelecimento de longas cadeias mediativas entre a palavra e o mundo, e as condições de felicidade da fala religiosa, fala de proximidade, radicada em uma "imediação". A partir de uma análise ilustrativa de alguns modos de experimentação das imagens (visuais) religiosas na arte, conclui-se então com uma recusa da dupla redução caricatural da religião à crença e da ciência ao conhecimento.<br>This article examines the felicity conditions (extending the sense assumed by this concept in speech act theory) of religious statements. In an analogy with love talk, religious talk is seen here as transformative discourse rather than as informative discourse ­ that is, a discourse which speaks of whoever is uttering it rather than of the world, but which, in doing it, alters the world of which it speaks just as much as those who speak in it. The article then compares the truth conditions of scientific discourse, founded on the establishment of long mediating chains between word and world, and the felicity conditions of religious speech, a close-range speech rooted in 'imediation'. Providing an illustrative analysis of various ways of experiencing religious (visual) images in art, the article concludes by refusing the doubly stereotypic reduction of religion to belief and science to knowledge.
Date
2004-10-01
Type
Article
Identifier
oai:doaj.org/article:b208cfb70c864f5984a57ea143c494f0
10.1590/S0104-93132004000200005
0104-9313
1678-4944
https://doaj.org/article/b208cfb70c864f5984a57ea143c494f0
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