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Mozart y Cristo [Mozart and Christ]

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Author(s)
Ortega, Fernando
Keywords
Mozart
Christ
music
intelligence theological
GE Subjects
Cultural ethics
Community ethics
Christian denominations
Dogmatics
Creator and Creation

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URI
http://hdl.handle.net/20.500.12424/198121
Abstract
"En su libro Presencias reales, George Steiner afirma que preguntarse "¿Qué es la música?" equivale a preguntar "¿Qué es el hombre?,,1. Hace ya muchos mios que venimos explorando el universo abierto por esta equivalencia, a través de la obra de un creador cuyo nombre puede ser considerado como sinónimo mismo de la música: Wolfgang Amadeo Mozart (1756-1791). Numerosos ensayos dedicados al tema muestran, más allá de sus posibles aciertos, la apasionada búsqueda suscitada por la inmensa cuestión que ellos abordan: una inteligencia teológica del pensamiento musical mozartiano, lo que implica, de acuerdo con la equivalencia arriba apuntada, un calar en el misterio de nuestra propia humanidad2". ["In his book Real Presences, George Steiner says to ask "What is music?" is like asking "What is man?,, 1. For many who come to explore the mine open universe this equivalence, through the work of a creator whose name can be considered synonymous with the music itself: Wolfgang Amadeus Mozart (1756-1791). Numerous studies devoted to the subject show, beyond its possible successes, the passionate pursuit prompted by the overwhelming issue that they address: intelligence theological thought of Mozart musical, which means, of According to the equivalence pointed up a jig in the mystery our own humanity2".]
Date
1995
Type
Article
Copyright/License
With permission of the license/copyright holder
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