analýzy filmových děl
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AbstractBachelor thesis Kiruna – The Limits of Observation deals stylized observation method used in documentary film focussing on production of bachelor movie Kiruna 2.0 directed by Greta Stocklassa. The first part of thesis deals term stylized observation and the Nichols’ diagram of relationship of fiction and nonfiction. Five movies (Play, Involuntary, Turist, Fire at Sea, Into the Clouds We Gaze) lying on the border between fiction and nonfiction are discussed, classified based on their characteristics and placed in the modified diagram prepared by author. Second part describes the preparation and production of the bachelor movie Kiruna 2.0, it describes decisions and choices author had to make and dealt with during filming. Advantages and limits together with formal ethical aspects of observation are then discussed based on opinions of other directors and authors’ experiences. Last part is a brief manual for other future directors who will decide to use observation in their movies.