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dc.contributor.authorBartel, Christopher
dc.date.accessioned2019-09-23T13:29:09Z
dc.date.available2019-09-23T13:29:09Z
dc.date.created2019-08-14 23:38
dc.date.issued2016-02-23
dc.identifieroai:journals.uvic.ca:article/15286
dc.identifierhttps://journals.uvic.ca/index.php/pir/article/view/15286
dc.identifier.urihttp://hdl.handle.net/20.500.12424/36458
dc.format.mediumapplication/pdf
dc.language.isoeng
dc.publisherUniversity of Victoria
dc.relation.ispartofhttps://journals.uvic.ca/index.php/pir/article/view/15286/6171
dc.rightsCopyright (c) 2016 Christopher Bartel
dc.sourcePhilosophy in Review; Vol 36 No 1 (2016): February; 42-43
dc.titleNick Zangwill, "Music and Aesthetic Reality: Formalism and the Limits of Description." Reviewed by
dc.typeinfo:eu-repo/semantics/article
ge.collectioncode1206-5269
ge.dataimportlabelOAI metadata object
ge.identifier.legacyglobethics:16299786
ge.identifier.permalinkhttps://www.globethics.net/gel/16299786
ge.lastmodificationdate2019-08-14 23:38
ge.lastmodificationuseradmin@pointsoftware.ch (import)
ge.submissions0
ge.oai.exportid149701
ge.oai.repositoryid6150
ge.oai.setnameBook Reviews
ge.oai.setspecpir:BKR
ge.oai.streamid2
ge.setnameGlobeEthicsLib
ge.setspecglobeethicslib
ge.linkhttps://journals.uvic.ca/index.php/pir/article/view/15286


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