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Por uma metafísica do sublime

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Author(s)
de Almeida, Martha
Keywords
Kant
Metafísica
Nietzsche
Schopenhauer
Sublime
Kant
Metaphysical
Nietzsche
Schopenhauer
Sublime

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URI
http://hdl.handle.net/20.500.12424/3795537
Online Access
http://dialnet.unirioja.es/servlet/oaiart?codigo=3655216
Abstract
O sublime vem sendo analisado desde a antiguidade com uma marcante relação com a tragédia, seja como gênero literário, seja por meio da Poética, de Aristóteles que nos traduz pela catarse o sentimento do sublime. Na modernidade, novos nomes foram chegando para colaborar com esta teoria: o próprio Hume, em seu ensaio Da tragédia, mostrou-se impressionado com a capacidade que esta forma de arte tem de produzir efeitos tão intensos no espectador. Porém, quem mais fortaleceu a análise do sublime na modernidade, servindo de base para o próprio Kant foi Edmund Burke, com sua obra Uma investigação filosófica sobre as idéias do sublime e do belo. A terceira crítica de Kant dedicou um momento especial à analise do sublime, a qual já havia servido como base também para Schopenhauer que, no entanto, a partir dela, construíra sua própria estética que viria a ser de suma importância para o jovem Nieztsche, sobretudo devido à consideração da música como arte sublime. Nietzsche, então, construiu sua sabedoria trágica,com base na experiência sublime da tragédia. A questão que este artigo quer tratar é exatamente: é possível pensar numa metafísica do sublime ,com base em Nietzsche?
The sublime has been analyzed since ancient times with a striking compared with tragedy, whether as a literary genre, whether through Poetics, Aristotle's catharsis we translate the feeling the sublime. In modernity, new names were coming to work with this theory: Hume himself, in his essay The Tragedy, was impressed by the ability of this art form has to produce such strong effects on the viewer. But who else has strengthened analysis of the sublime in modernity, providing the basis for their own Kant was Edmund Burke, with his piece A philosophical investigation on the ideas of the sublime and the beautiful. The third criticism of Kant devoted a special moment to the analysis of the sublime, which had served as basis also for Schopenhauer, however, from her built his own aesthetic that would be of paramount importance Nieztsche for the young, mainly due to the consideration of music as sublime art. Nietzsche, then built his tragic wisdom, with based on the experience of the sublime tragedy.The question this paper wants to treat it exactly: It is possible think of a metaphysics of the sublime, based on Nietzsche?
Date
2009
Type
text (article)
Identifier
oai:dialnet.unirioja.es:ART0000409353
http://dialnet.unirioja.es/servlet/oaiart?codigo=3655216
(Revista) ISSN 0104-8694
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