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Industry-based popular music education: India, college rock festivals, and real world learning

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Author(s)
Kelman, Kristina
Cashman, David
Keywords
130103 Higher Education
130201 Creative Arts Media and Communication Curriculum and Pedagogy
190000 STUDIES IN CREATIVE ARTS AND WRITING
190409 Musicology and Ethnomusicology
190499 Performing Arts and Creative Writing not elsewhere classified
anzsrc Australian and New Zealand Standard Research Class
Music industry
college rock festivals
communities of practice
Engaging

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URI
http://hdl.handle.net/20.500.12424/3876648
Online Access
https://eprints.qut.edu.au/133974/1/College%20Festivals.pdf
Abstract
Until recently, opportunities for formal music education in India were few. Music education at large universities concentrated on Indian classical music. Interest in western popular music had been significant throughout the 1960s, 70s, and 80s, but this had mostly been in the form of cover bands. The largest area of popular music was the domain of Bollywood. With the increase of the Indian middle-classes in the 1990s, due to Manmohan Singh’s important economic policies, more Indian families began sending their children to school to study a range of disciplines. Music, however, was not regularly considered because of the lack of financial reward in a developing country. Gradually, major Indian colleges began to host rock festivals for student rock bands; however these were almost entirely covers bands. These festivals became so successful, that organisers gradually added requirements for originals, and a songwriting element became part of popular music in India. Today, nearly every significant rock band in India originated in these festivals.
 
 Our research aims to investigate the development, cultural significance, and educational importance of college rock festivals. We conducted interviews with established and emerging independent musicians, educators, and music industry professionals in order to understand this phenomenon further. Our findings suggest that, despite the recent emergence of popular music education in India, college rock festivals continue to educate young Indian musicians on technique, performance, songwriting, and music business.
 
 Our findings suggest that the experiential learning college rock festivals provide, lead to the development of epistemic communities of teachers, academics, students, musicians, and industry. We find that such festivals draw similarities with college radio and student record label initiatives in other parts of the world. It is this process of connecting an informal underground of creative individuals with formal institutions that will continue to provide not only rich learning environments for students but viable platforms for launching music careers.
Date
2019-03-23
Type
Conference Paper
Identifier
oai:eprints.qut.edu.au:133974
School of Creative Practice; Creative Industries Faculty
Copyright/License
Queensland University of Technology
Collections
Ethics in Higher Education

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