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dc.contributor.authorPea, Irene Chrysantheme Roan
dc.date.accessioned2020-09-16T20:14:49Z
dc.date.available2020-09-16T20:14:49Z
dc.date.created2020-09-14 23:38
dc.date.issued2020-09-10
dc.identifieroai:ojs.indotheologyjournal.org:article/154
dc.identifierhttps://indotheologyjournal.org/index.php/home/article/view/154
dc.identifier10.46567/ijt.v8i1.154
dc.identifier.urihttp://hdl.handle.net/20.500.12424/3964941
dc.description.abstractThis paper discusses the image of the human body as an important existential component amid the totality of existence in its socio-communal construction. Body image is itself constructed upon one’s impressions, thoughts, feelings, and opinions about one’s own body. In light of the proliferation of beauty vlogger accounts on various social media platforms (YouTube and Instagram) demonstrating various makeup techniques for women, the author sets forth a reconstructive critique [kritik rekonstruksi] against the hustle-and-bustle of modernism that traps humanity within the assemblage of an industrialist-colonialist gaze that proclaimes makeup (facial cosmetics) to be constitutive for humanity’s self-image, particularly impacting women. The author argues that human persons are, in truth, creatures of beauty and worth in the authenticity of their self-image even without the aide of makeup, by considering the concept of ‘body image’ within the realm of psychology in addition to the theological aesthetic perspective of Hans Urs von Balthasar.
dc.description.abstractTulisan ini berbicara tentang citra tubuh manusia sebagai bagian penting dari totalitas eksistensi di dalam konstruksi sosial-masyarakat. Citra tubuh sendiri terbangun berdasarkan kesan, pikiran, perasaan, dan opini seseorang tentang tubuhnya. Terkait dengan maraknya beauty vlogger pada berbagai akun media sosial (YouTube dan Instagram) yang mendemonstrasikan berbagai teknik makeup bagi perempuan, penulis mengemukakan kritik rekonstruksi terhadap hiruk-pikuk modernisme yang menempatkan manusia terjebak dalam konstruksi pandangan industri-kolonialisme yang mengatakan bahwa tata rias wajah (makeup) menjadi bagian dari gambar diri manusia, khususnya bagi perempuan. Penulis berargumentasi bahwa manusia sejatinya adalah mahluk yang indah dan berharga dalam keaslian gambaran dirinya meski tanpa bantuan tata rias wajah dengan menggunakan konsep body image dalam ranah psikologi dan sudut pandang estetika dari Hans Urs von Balthasar.
dc.format.mediumapplication/pdf
dc.language.isoind
dc.publisherAsosiasi Teolog Indonesia
dc.relation.ispartofhttps://indotheologyjournal.org/index.php/home/article/view/154/199
dc.rightsHak Cipta (c) 2020 Irene Chrysantheme Roan Pea
dc.sourceIndonesian Journal of Theology; Vol. 8 No. 1 (2020): Special Issue - Rethinking the Idea of "Who is My Neighbor?" ; 42-61
dc.subjecttheological aesthetics
dc.subjectbeauty [keindahan]
dc.subjectmakeup
dc.subjectself-image [gambar diri]
dc.subjectGestalt
dc.subjectBalthasar
dc.subjectexistence
dc.subjectbeauty [attractiveness]
dc.subjectfragility
dc.subjectdesire
dc.titleRiasan Wajah Sebagai Bagian Gambar Diri: Bukan Sekadar Kewajiban atau Hasrat
dc.typeinfo:eu-repo/semantics/article
ge.collectioncode2339-0751
ge.dataimportlabelOAI metadata object
ge.identifier.legacyglobethics:16846887
ge.lastmodificationdate2020-09-14 23:38
ge.lastmodificationuseradmin@pointsoftware.ch (import)
ge.submissions0
ge.oai.exportid150601
ge.oai.repositoryid102477
ge.oai.setnameArticles
ge.oai.setspechome:ART
ge.oai.streamid5
ge.setnameGlobeTheoLib
ge.setspecglobetheolib
ge.linkhttps://indotheologyjournal.org/index.php/home/article/view/154


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