Art and Design
Arts and Humanities
Feminist, Gender, and Sexuality Studies
Film and Media Studies
Social and Behavioral Sciences
Theatre and Performance Studies
Full recordShow full item record
AbstractDuring an artist residency at the Visual and Sensory Neuroscience Group, Queensland Brain Institute (QBI), art/science practitioner Trish Adams observed a range of experiments. Scientists at the QBI describe on the website that they seek to ‘better understand how the eye and brain solve complex visuomotor tasks’ (Queensland Brain Institute) through investigations into and analysis of the behaviours of the European honeybee. During this residency, Adams’ research project evolved in response to her personal experiences in the largest indoor bee facility in Australia. Here, without protective clothing, Adams was surrounded by the honeybees as they flew around freely in the large custom-built space. This article takes the form of a creative discussion of the artist’s immersion in this unusual research environment and the emotions generated by such close proximity to non-human others. Beginning with a short overview of the evolution of science as a discreet discipline, followed by a general outline of the field of art/science research, Adams introduces her artwork: machina carnis and the microscopic study of cellular ‘life’ that led her to the QBI. Subsequently, significant aspects of her artworks HOST and Urban Swarming are examined in the context of art/science practice as a whole and as illustrations of Adams’ continuing close engagement with the honeybee.