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dc.contributor.authorDiego Paredes.
dc.date.accessioned2019-09-26T00:01:26Z
dc.date.available2019-09-26T00:01:26Z
dc.date.created2017-09-29 23:09
dc.date.issued2009-12-01
dc.identifieroai:doaj.org/article:2aacca06cf41420bae601a76e19eb97d
dc.identifier0123-885X
dc.identifier1900-5180
dc.identifierhttps://doaj.org/article/2aacca06cf41420bae601a76e19eb97d
dc.identifier.urihttp://hdl.handle.net/20.500.12424/611552
dc.description.abstractThis article seeks to show how different conceptions of aesthetics can determine the relationship between art and politics. To achieve this, it first explores the link found by Walter Benjamin between l’art pour l’art and the “aestheticization of politics.” It then compares this idea to the “politics of aesthetics” and “aesthetics of politics,” which Jacques Rancière locates in the heart of what he calls the “distribution of the sensible.” The article highlights how autonomous aesthetics leads to an aestheticization of politics, while an inherently political aesthetics illuminates the liberating potential of art.
dc.languageEN
dc.languagePT
dc.languageES
dc.publisherUniversidad de los Andes
dc.relation.ispartofhttp://res.uniandes.edu.co/view.php/618/1.php
dc.relation.ispartofhttps://doaj.org/toc/0123-885X
dc.relation.ispartofhttps://doaj.org/toc/1900-5180
dc.sourceRevista de Estudios Sociales, Iss 34, Pp 91-98 (2009)
dc.subjectThe Aestheticization of Politics
dc.subjectthe Aesthetics of Politics
dc.subjectthe Politics of Aesthetics
dc.subjectWalter Benjamin
dc.subjectJacques Rancière.
dc.subjectSocial sciences (General)
dc.subjectH1-99
dc.subjectSocial Sciences
dc.subjectH
dc.subjectDOAJ:Social Sciences
dc.titleDe la estetización de la política a la política de la estética.
dc.typeArticle
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ge.identifier.permalinkhttps://www.globethics.net/gel/11689004
ge.lastmodificationdate2017-09-29 23:09
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ge.oai.setnameLCC:Social sciences (General)
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ge.linkhttps://doaj.org/article/2aacca06cf41420bae601a76e19eb97d


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