Divine reckonings in profane spaces: towards a theological dramaturgy for theatre, with special reference to the theo-drama of Hans Urs von Balthasar
Author(s)
Khovacs, Ivan Patricio MorilloContributor(s)
Hart, TrevorKeywords
Aesthetic theologyKevin Vanhoozer
Aristotle / Poetics
Theology
Theological dramaturgy
Tertullian / theatre
Drama
Theo-Drama
Balthasar, Hans Urs von, 1905-1988. Theodramatik.
Calderón de la Barca
Aesthetics--Religious aspects--Christianity
PN1647.K5
Performance aesthetics
Religion and drama
Quem quaeritis
Theological aesthetics
Augustine / theatre
Hans Urs von Balthasar
Theatre
Christianity and theatre
Full record
Show full item recordOnline Access
http://hdl.handle.net/10023/329Abstract
If from God’s perspective ‘all the world’s a stage’, theology invites one to think and act according to the view afforded from this height. To speak theologically of a ‘world stage’ as many contemporary theologians have done has required rethinking the Church’s long-established antagonism towards the stage. Of late, theology has opened up academic exchange with the drama’s understanding of ‘the great theatre of the world’. Hans Urs von Balthasar’s theo-drama in particular has given Christians a means for entering into discussion with dramatic forms. Contemporary theological engagements with ‘drama’, however, have been limited to its most literary/metaphorical aspects; less attention has been paid to the potentialities in theology’s exchange with the performance aesthetics of live theatre. Pressed to its logical ends, however, von Balthasar’s idea of a ‘theological dramatics’ and its advances made in contemporary theology, suggest the need for sustained engagement with other modes of dramaturgy, including performance theory and the stage. This thesis attempts to instantiate this theological engagement through the aesthetics of theatrical performance.Date
2007-05-25Type
ThesisIdentifier
oai:research-repositoryt.st-andrews.ac.uk:10023/329http://hdl.handle.net/10023/329
Copyright/License
Electronic copy restricted until 8th December 2014Collections
Related items
Showing items related by title, author, creator and subject.
-
Divine reckonings in profane spaces: towards a theological dramaturgy for theatre, with special reference to the theo-drama of Hans Urs von BalthasarHart, Trevor; Khovacs, Ivan Patricio Morillo (The University of St AndrewsUniversity of St AndrewsInstitute for Theology, Imagination and the Arts, 2007-05-25)If from God’s perspective ‘all the world’s a stage’, theology invites one to think and act according to the view afforded from this height. To speak theologically of a ‘world stage’ as many contemporary theologians have done has required rethinking the Church’s long-established antagonism towards the stage. Of late, theology has opened up academic exchange with the drama’s understanding of ‘the great theatre of the world’. Hans Urs von Balthasar’s theo-drama in particular has given Christians a means for entering into discussion with dramatic forms. Contemporary theological engagements with ‘drama’, however, have been limited to its most literary/metaphorical aspects; less attention has been paid to the potentialities in theology’s exchange with the performance aesthetics of live theatre. Pressed to its logical ends, however, von Balthasar’s idea of a ‘theological dramatics’ and its advances made in contemporary theology, suggest the need for sustained engagement with other modes of dramaturgy, including performance theory and the stage. This thesis attempts to instantiate this theological engagement through the aesthetics of theatrical performance.
-
Through a Glass Darkly: Defining Love in a Nation of ToleranceHogue, Jonathan T (DigitalCommons@Liberty University, 2015-05-20)This paper features an original one-act drama Through a Glass Darkly and analyzes its constructs and themes. The play, written in the contemporary style, depicts the tension between homosexuals and Christians in American culture through emphasizing the contrasting interpretations of love between both communities. It tells the story of Ben, a young gay man struggling to find fulfillment, whose new-found friendship with a Christian named Adam causes him to reevaluate his understanding of love. The play explores the variations of love in an attempt to not only answer what love truly means, but rather what form of love carries the most meaning. Deriving inspiration from 1 Corinthians 13:12, Through a Glass Darkly is based on the concept that the purpose of difficult situations in one’s life may not be made clear until Christ’s return, but until then, the most important command is to love.
-
A Man Out of Time: Joseph, Time and Space in the Marian Plays of the N-Town ManuscriptBlack, Daisy (D. S. Brewer, 2015-05)