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Dialogue between Sphere and Cube

Ungureanu, Cristian
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Abstract
Apart from an unexpected increase of the number and quality of the authentic Byzantine art exhibitions and of graphical and conceptual high quality publications dedicated to this subject, the Byzantine iconography was always the object of a bizarre chapter, located at the end of the art history conventions. It was always considered as being much too tributary to the quasi-immutable doctrine of the Orthodox Church and this aspect was considered by the modern people, as being a factor that limits the liberty of creation. We could say it’s about one of the countless, natural, overthrows of perception, which characterize the thinking of the modern man.
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Date
2006
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With permission of the license/copyright holder
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